MARRIED WITH FISHSTICKS
Well, the powers that be served us up a little
something different this week, to say the least! Again, I'm amazed at the
general lack of e-mail chatter on this episode. Surely most of you either
loved or hated it? So, pass the tartar sauce and let's chew on this weeks
serving, "Married With Fishsticks".
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My reaction to this episode changed towards the
end, as I realized it was basically a Xena-free zone. Being a Gabrielle
fan, I really appreciated the bard having beaucoups screen time. She
looked so adorable in her little orange skirt, orange lipstick, and blond
wig. But not knowing that at the beginning, I have to say I was simply
speechless as this episode began. What's with all the fairy-tale undersea
sets? Where's Xena? Gab has children from several other
species? What the hell? The Gabrielle lover in me rejoiced, the
critic in me flinched. To continue...
First, the continuity question. After
regaining her sleek, pre-baby form, last week Xena was back in her warrior
threads. This week, she's back to her maternity dress. I don't think
Xena's going to be switching outfits on us regularly, but I believe they must
have filmed this episode near Lucy's giving birth, hence Xena's absence.
Once filmed, the producers probably looked at the story line, and they decided
this bit of whimsy would not feel right wedged between some of the serious
episodes of late, nor would it do to have it next to another comedy like
"Punchlines". So it got bumped to after the two Gods vs. Eve stories we
just had. But you have to wonder if it might actually work better to flip
"Married" with "Amphipolis". Both "Amphipolis" and "Eternal Bonds" are
similar (Gods vs. Eve), and perhaps it might play better to have a breather
("Fishsticks") in between. Just a thought.
And who better to have in a broad farce than
Joxer? Right away he makes his presence felt with his decision to bring
Eve a dinner of baby back ribs. At least he means well! And
Gabrielle is still riding him hard for his mistakes, a clue that this might have
occurred even before their little meeting of the minds in "Eternal
Bonds".
Of course, you know you're going to have fun when
Aphrodite shows up. Throw a little bit of Discord in, and a cat fight is
bound to ensue. And the best part is always the banter as they try to dis
each other. And when 'Cord drops the line about 'Dite having her legs so
close together, well, you know they're pulling out the stops. And who pays
the price but Gabrielle! As in "The Bitter Suite", she falls into the
water and drops into fantasy land.
So Gabrielle has amnesia? She seems to
remember quite well she doesn't like Joxer/Hagar. She has no evidence that
he's not her husband, yet she instinctively acts, well, like normal around
him. Of course, it doesn't take Joxer long to steer her towards the
housework, slap her on the butt, and prove himself to be the a-hole in
question! Since Gabrielle is "Also Starring" and Joxer is "Guest
Starring", we know who's going to come out ahead in this battle of the sexes,
don't we?
That said, Gabrielle's real fears seem to be
misfocused. The real terrors here are the kids, who seem to get a great
pleasure from torturing her mercilessly. Even baby Roe tries to rip her
face off. Why she doesn't instinctively grab a pole-like object and staff
them into oblivion is beyond me. In an episode as silly and funny as this,
I found their sadistic games just a bit disturbing, especially when they tie up
Gabrielle and dunk her head-first into shark-infested waters.
I loved Joxer's little terms of endearment for
Gabrielle, like "my little sea mollusk" and "my little crab cake". Totally
funny!
Seeing 'Dite and 'Cord enter as Crabella and
Sturgina was quite a shock. They both looked incredibly different.
If I hadn't seen them in their normal godly guises minutes earlier, I probably
would not have recognized them at first. And like the gods they mirror,
they are up to no good.
Shades of '50's family sitcoms: notice
Gabrielle mopping the floor in high heels. Of course, the whole episode
has a sort of '50's feel to it. The nosy friends, the tacky, colorful
interiors, the husband running the house, the woman doing the housework, the
aquatic choreography, even the music. This was a real workout for the prop
department, I'm sure, as not much of anything was found as-is in the prop
storage room. Everything, absolutely everything, had a sea motif.
Absolutely brilliant eye candy.
I loved it when Gabrielle reacts to candidate
Hagar's return home from a hard day campaigning by almost putting a knife
through him. Then when she orders the kids out of the room, one of them
responds with "Yes, mommy dearest!" I assume this was a sly reference to
the Faye Dunaway flick.
Speaking of movies, being a fan of the movie
"Lolita" (the Kubrick version as well as the new one--to say nothing of the
book), I liked seeing Gab donned up as the prepubescent nymphet during Hagar's
tale of how they met (the red heart-shaped sunglasses and red lollipop).
Later on, Gabrielle kills the sea monster in the pool, and rises from the water
with a knife in her mouth. I believe this is an homage to "Apocalypse
Now", as well "The Debt" when Xena goes after Ming T'ien. I saw some
e-mails recently indicating several other movies were quoted in this
episode. Anyone catch any others? Using the BeeGee's music for this
scene was perfect.
Then Hagar 'fesses up that he only played
unconscious at the pool to get Gabrielle to kiss him during
mouth-to-mouth. Gabrielle responds with "That's almost sweet".
C'mon, Gab, that isn't "almost", it "is". What's it take to break into
this girl's heart? I guess Perdicus had it, whatever it was!
It seems you can take Gabrielle out of the
Xenaverse, but you can't, well, you know. When the kids have the bard
head-first in the shark-infested waters, she jumps up and commandingly sets the
kids straight. After winning their respect by showing some backbone, her
next Gabriellism occurs when she kills the sea monster in the pool, thereby
letting all the mermaids know she's nobody to mess with. And the war
skills really come back for the final fight scene, but more on that
later.
The special effects team once again breaks out
the squeaky toy sound effect which I love so much. Earlier, when Joxer's
brother, Jace, hugged him in "Lyre, Lyre", this was used to great affect.
Here, it is heard as Sturgina elbows Crabella in the ribs. Yes, Aphrodite
is a squeaky toy! Dunno, I just find that sound funny!
Is "skankitude" a word?
Gabrielle looked simply marvelous in her wedding
dress, but couldn't Hagar find a better time to confess about his lies?
Perhaps back in the garden where he proposes (again)? And nothing like a
chakram wedding ornament to bring one's memory back. Seems the chakram was
a common shape back in that time, as it seems to appear in many
places.
All this eventually devolves into yet another
fight scene, as befits this show. This time, it's a three-way cat fight
between Gabrielle, now with fully restored memory, if not hair, Crabella, and
Sturgina. And in what appears to be a trend, people end up with cake in
their faces. Perhaps another cake or pie fight could be used to finally
topple the gods in the final battle of The Twilight? Just
kidding.
And in the end, Joxer gets to kiss Gabrielle how
many times? She gives him mouth-to-mouth when they meet, they kiss when
she decides to "remarry" him, she kisses him again as she is preparing to leave
fish land, and that segues into Joxer first giving Gabrielle mouth-to-mouth
again on the dock, and then the half unconscious Gab reaches up and kisses him
yet again. How does a man get a job like this? Of course, that last
kiss ultimately turns into a punch to the face for Joxer, but love hurts,
right?
Finally, the end finds Gabrielle bonding with Eve
after her motherly stint in fantasy land. As she walks off, she's already
making up a story about her dream to tell the baby. Once again, a clue to
the return of the bard. The writers keep dropping hints (like the
scroll-kite in a previous episode), but is she actually writing again or just
thinking about it?
What to make of this episode? Well, I
thought it sucked for the first forty minutes or so of the first viewing, but
then it began to kick in. It was just so bizarre it was hard to
comprehend. By the end, I was warily in favor of it, mainly on the basis
of the amount of Gabrielle, but I was reserving my opinion for a second viewing
when I could get past the pure incongruity of it all and just watch it as
another comedy episode. Much like "Lyre, Lyre", it was just so totally out
there it is really hard to rate it. It obviously isn't quite up there with
the last half dozen episodes or so, but it certainly offered laughs
aplenty. Perhaps in a show like this, the amount of laughter is the final
barometer of quality. I'll give the writers high marks for originality and
the special effects team kudos for a visual delight. Someone else wrote an
e-mail earlier which said the episode was a delight for Gabsters, but it's not
the one he'd show to a first-timer. Well, that pretty much sums it
up. But it made me laugh, so I'll give it about a three and a half chakram
score out of five. With repeated future viewing, I imagine it will grow on
me even more, as most Xena episodes do.
Rick
(Gabriologist
since the late 20th Century)
"Where's baby Roe?" --Hagar
"Shut up, and pass the tartar sauce."
--Gabrielle
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© 2000 by Rick Hines.
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